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Playwriting: Text

LIST OF WORKS

covers created by yours truly

SO PANIC

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Drama, 110 min

CAST SIZE: 6-9

SETTINGS: 4

​Megan considers moving across the country for her dream job while her boyfriend's mental health deteriorates. 

OUI (YES, WE)

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Drama, 10 min

CAST SIZE: 2-4
SETTINGS: 1
Julia attends her best friend's wedding to celebrate new beginnings, only to meet a woman who reminds her of her past.

GHOST LIGHT

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Drama, 10 min

CAST SIZE: 1
SETTINGS: 1
A lonely boy tries to contact the theatre ghost.

EPHEMERAL

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Drama, 5 min

CAST SIZE: 2
SETTINGS: 1
Isabel finds her little brother mourning a dead mouse, and must help him come to terms with the permanence of death.

CRACK

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Drama, 10 min

CAST SIZE: 3
SETTINGS: 1
A couple's trust in each other is tested as they bury a body together.

DREAM OFFICE

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Dramedy, 10 min

CAST SIZE: 2
SETTINGS: 1
Two women going through career transitions meet in a dream.

MATH HOMEWORK!

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Comedy, 5 min

CAST SIZE: 3
SETTINGS: 1
Two students struggle to finish their homework while hiding in a library overnight.

HEAL THE HYDRANGEAS

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Dramedy, 10 min

CAST SIZE: 2
SETTINGS: 1
Concerned about her dying plant, Kelly visits a church in the dead of night to seek help.

A NIGHT

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Dramedy, 5 min

CAST SIZE: 4
SETTINGS: 1
A study session comes to an abrupt halt when Jonathan tries to make a move on his best friend.

THE WORST OF THE STORM: A RADIO PLAY

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Drama, 10 min

CAST SIZE: 3
SETTINGS: 1
Rebecca and CJ find a disturbing letter while taking shelter from a tornado.

HOW INSPIRING

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Monologue, 2 min

CAST SIZE: 1
SETTINGS: 1
A young actress laments her frustrations with being outed as trans during a livestream.

Playwriting: Work

THE PLAYS IN ACTION

my live theatre pieces, immortalized by film

HOW INSPIRING - 2022

One of twenty-five monologues selected out of 500+ submissions, performed and at the Faces of America Monologue Festival and subsequently published in an anthology

The Playground Experiment
New York, NY

A NIGHT - 2020

Horizon Theatre Co.
Atlanta, GA (Zoom)

Selected from writers across the country to attend a one-week playwriting intensive, we were each commissioned to create a new five-minute play. Readings were presented on Zoom at the end of the week.

OUI (YES, WE) - 2020

Hudson Guild Theatre
New York, NY

Selected to be performed as part of New York Theatre Festival's Winterfest, this production was entirely self-produced.

THE EMPEROR'S NEW CHARITY - 2019

Co-written by Cassidy Byron, Liz Kurtz, and Penelope Gould as part of NYU Tisch's 24-Hour Play Festival. Directed by Cassidy Byron.

NYU Tisch

GHOST LIGHT - 2018

MadLab Theatre
Columbus, OH

One of ten plays selected to be workshopped during the winter and spring, then performed in the summer. Nominated for Best Lighting by BroadwayWorld Awards.

THE SUNNY SIDE - 2018

Co-written and co-directed by Cassidy Byron and Emerson Prond for Coffman High School's 24-Hour Play Festival.

Coffman High School
Dublin, OH

Playwriting: List

OTHER PRODUCTION HISTORY

past productions, fleeting as they were

DREAM OFFICE - 2021

NYU Tisch 24-Hour Play Festival
New York, NY

Written and performed in 24 hours.

HEAL THE HYDRANGEAS - 2020

NYU Tisch 24-Hour Play Festival
New York, NY (Zoom)

Written and performed in 24 hours.

GHOST LIGHT - 2020

NYU CAST Theatre
New York, NY

Selected as part of an annual One-Acts festival.

GHOST LIGHT - 2019

Old Library Theatre
Fair Lawn, NJ

Best Youth Actor nomination (Nathan Kossoy as Keagan)

Playwriting: List

SHORT FILMS

Playwriting: Text
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CUPCAKES

Writer, Director, and Editor, 2021

(DIS)ENGAGED

Writer, Director, and Editor, 2021

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ROCK BOTTOM

Director of Photography, 2021

A ROSE IS A ROSE...

Director of Photography, 2021

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AND THEN THERE WERE NONE: A MODERN RENDITION

Co-writer and Co-director, 2017

Playwriting: Work

MY JOURNEY

I have been immersed in all things theatre ever since I saw Les Miserables at the age of twelve, and became certain that I would be performing on Broadway one day. Being a huge extrovert, I performed in as many shows as I could book, sometimes doing two or three at once, and by the time I finished high school I had been involved in over 50 stage productions. In high school I also had my first tastes of set design, lighting, sound design, stage managing, and directing. Novel-writing was also a hobby of mine, but I kept these two creative outlets mostly separate. 

​

I wrote my first play, Ghost Light, my sophomore year of high school. Because I had such a rich background in various positions around the theatre, I crafted a play that was not only narratively gripping but also easy to direct, design, and ultimately produce. Ghost Light got its time in the spotlight when it was accepted into MadLab Theatre's Young Writer's Program, a highly competitive playwriting competition for high schoolers in central Ohio. It was then that I knew I not only wanted to make a career out of playwriting, but that I could


Since then, I have only fallen more in love with scriptwriting. I have created a plethora of works for both the stage and the screen and continue to work behind the scenes whenever possible. I am so excited to get more of my work produced in the near future. 

Playwriting: About Me
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